
According to sociologists, such as Anthony Giddens and others, modernity is characterized by its reflexivity. Here is a self-reflexive museum for you: the Cité de Sciences in Parc de la Villette, Paris, reflecting itself in the silver dome of its own IMAX movie theatre. To be honest, I was a bit underwhelmed by the science centre – but the park was nice
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This is #6 of the Museum Pics of the Week. Please come back in (about) a week to see the next one. Or follow me on Google+.

Vaserely was born in Hungary, but lived most of his life in France, so it’s not surprising that his museum is to be found in Aix-en-Provence. Even if you’re not into op-art – which I’m not particularly – the building and the artwork form a fascinating gesamtkunstwerk. I like this particular picture, because of the relation of the persons to the strict geometry of the building – and because of their relation to me, since they happen to be my family
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This is #5 of the Museum Pics of the Week. Please come back in (about) a week to see the next one. Or follow me on Google+.

This is the sort of museum, which most museum professionals scorn. What you see in the picture are probably the only real objects in the Museum of the partisans in Dongo, Italy – the rest are faded photo copies. The texts are in Italian only, and there is dust in every corner. By its subject, this modest little museum, however, is as important as any national gallery. It’s about the actual place where Mussolini was caught, sentenced and executed by partisans – thus finally ending the despicable era of Italian fascism. In a world where neo-fascists can become respectable members of government, we should not criticise those, who strive to keep the public memory of these important events alive, for not doing it well enough. Let’s criticise the Italian state and museum professionals for neglecting their effort.
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This is #4 of the Museum Pics of the Week. Please come back in a week to see the next one. Or follow me on Google+.

What’s in a life? Well, medicine, for instance. Like in this fascinating installation by Pharmacopoeia in British Museum. It shows the number of pills, swallowed through lifetime, by too different persons – supplemented by pictures, letters and other reminiscences of their lives. A moving and thought-provoking cross-over between art and ethnography.
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This is #3 of the Museum Pics of the Week. Please come back in a week to see the next one. Or follow me on Google+.

Gazing through a replica of one of Tycho Brahes instruments on the island of Ven. The Tycho Brahe museum is not necessarily exceptional, but it’s nice and easy going – like the rest of this small island, which is sort of a condensed version of any tourist’s dream of the Swedish countryside. Take the ferry for a daytrip around midsummer – but watch out for the yellow bikes.
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This is #2 of the Museum Pics of the Week. Please come back in a week to see the next one. Or follow me on Google+.

This woman is without doubt the most iconic of all museum objects. Ever. Period. We all know her from innumerable reproductions.
Maybe that’s why we feel such an urge to make our own, personal reproduction, when we get close to her in real life? I reproduce, therefore I exist….
I made my reproduction at the Louvre, Paris.
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This is #1 of the Museum Pics of the Week. Please come back in a week to see the next one. Or follow me on Google+.
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